der klang records is a disordine sub-label. this album will be available in a couple of months.vinyl only - limited to 200 copies on black vinyl and 75 numbered red vinyl. active on late 70s / early 80s teknospray were formed by andrea costa, mauro tavella (who later formed monuments), andrea lesmo, alberto ramella (who later formed carmody) and lucio lesmo they recorded few demos and an album which they never released until today as *god in land* is now reissued on disordines sub label der klang for the 1st time.

we have become the people that we hate, scuffing and cursing at the world. you run away but you can never walk. you speak the word but you can never talk. you limp on a hill and spill all that shes left you on a saw. rip the shreds into pieces too, why dont you. eat them sweet and raw. if love first brought us together why shouldnt it still? we are human in the end and what makes us dance is no other thing than love. as long as we live, we will love. mrs jones stands as a dedication to mans ability to love, to dance.

white asega co-­owner jack dixon wrote new curtains after a friend who was coming wildly off the rails told him he was a good producer but his tunes were boring. the original version was really sparse and about 300bpm. when jack moved to new york the parts got lost, so he remade the track a dozen times. this was the version we all liked best, although jack never wants to hear it again in his life. it sounds tough and tropical. our friend troy gunner remixed it, and turned it into something so loud and slamming it will knock your teeth out. after telling jack to stop making boring music, mark kodiak spent two horrendous years working with jamie kodiak on a song they ve called taargus. it nearly destroyed their friendship forever but we think it was worth it. it has brutal weapon sounds, nasty snares and an incessant “yo” that has been described as “annoying and unnecessary”. the artist tom pounder has created a blinding video for it that contains brand new colours. french born bass genius bambounou stepped up to remix the track, taming the wild stems into a hypnotic early­morning house stepper. it took us approximately 2000 exhausting facebook group chats, four cross­atlantic flights and one divorce to get to this point. we hope you will enjoy this record for the rest of your lives. rip ken tulley.

messed up house ep is the right mood s debut on vinyl and for the four tracks on it, house music borrows their foundations. powerful kick drums and bright handclaps make the tight bases that carry lots of musical influences, from distorted guitar amps to brazilian percussion, passing through techno bleeps and minimal noises, all of them, always involved by huge basslines that will put to proof the sound system s capabilities of reproducing low-end frequencies. underground house music has found a place in this bundle. an ep title was never so true!

hello sailor is a party and record label based in brooklyn, ny founded by brazilian-born, new york based renata do valle. since 2012, the label has been staging events with an array of local and international artists. following the killer first release ( muko wapi ), featuring the joakim rework was never going to be easy, but luckily sao paolo dj duo selvagem step up ! acclaimed releases on the beats in space x label and universal cave have established them as a force to be reckoned with in the esoteric edits game. le freak is a cumbia style rendition of the chic classic, driven by insane synths and sampled drum loops, punctuated with low-pitched vocals in portuguese. tamanqueiro could be one of the greatest hits by jorge ben, if it wasn t written by elizio de buzios. that s his only release ever and now is a holy grail of brazilian funk, fetching small fortunes when found. here it appears in an extended and dj-friendly version.

mood ii swing classic from 94... often imitated never bettered.
contains the epic mood ii swing dub - one of their best dub s of all time plus all the original mixes.
if you don t own a copy of this now if your chance to have this benchmark in house music s history.
beautifully re mastered and repressed for 2015 in conjunction with king street sounds.

vinyl only. the second release from young and exciting hoxton records label from east london features kiril - the ukranian legend who has started making waves outside home country. the collaboration between rush arp & maurice giovannini is another beautiful track with organic sounds that can stir emotions. triptil is a rising romanian star that has already developed his own sound, which can be melancholic at times but never fails to move the dancefloor. radu mirica is another talented producer from bucharest, romania that is determined to make the future in the music industry and judging by this track, he may be well underway.

appropriate to the golden gate club s philosophy and attitude, -its never to late for gate-, ggcr is coming up with cat.002. it took nearly 2 years for this second release, we could also say, better now then never or good things take time, but hey, who cares anyway? to the content, -golden times- is a exclusive various artist collection, trying to reflect the wide spectrum of sound we find in the place. four very different producers with four different tracks but yet a unique vibe. techno, deep house, tech house and electronica goes here very smoothly hand in hand. while only three of them, saytek, midas 104 and elizar & dromme are placed on the vinyl, samuel fach s -technologie- has been added as digital bonus.

great three track house vinyl from sei a

full instrumentation in cayetanos studio in athens, then the band takes over and changes the sounds with the physical instruments in thessaloniki and back to athens again for the final mix. only bound friends and great professionals like them could make this sound so easy. the mix is over, here comes mastering. enrico mercaldis magic ears help the project to reach the stars for one more time. and now the magic begins.tower of power, the intro or better a summary of the album.

featuring 4 producers that cross musical spheres is the labels way and again roster members are handed the keys to the treasure while welcoming other, less unknown producers a chance to highlight their aural visions.

a black, very black, vinyl record which stands out compared to previous releases on limited. the sixth chapter of andrea belluzzi’s label is titled black series because its objective is to devastate the ordinary lines of techno and let loose the dark black wings which are the base of the project. on side a, mike storm and transientx4 lead us through a gradual scale of mysterious and mechanical loops capable of hypnotizing while increasing the level of pathos. this culminates the gradual build up to the third track, produced by andrea belluzzi, with a perfect balance between dark techno and ambient in a mental voyage which seems to never lose itself during the entire 7 minutes with the perfect energy for the dancefloor. the record ends with the work of ken karter which, although is strictly mental and super hypnotic, manages to offer a distinct danceable rhythm marked by low frequencies which remain slow but captivating with a wide array of sounds which grow without boring the listener.

twenty-eight homespun stunners from the alamo city s scrappiest souleros. the royal jesters were the kings of san antonio s cross-cultural teen scene in the 1960s, soundtracking lovelorn slow dances with their heart-sick harmonies. for the first time, english oldies gathers the best early doo-wop, r&b, and blazing latin rock and soul from these tex-mex masterminds - a simmering melting pot of diverse regional flavors, best served hot.

huge package from west end of exclusive or never before released versions of one of the highlights from their illustrious catalogue.... arthur russell s loose joints... is it all over my face? kon (king of nothing!) sourced the original stems to completely re make the track utilising both the female and male vocal parts in his outstanding -duet- mix. also included in the barnstorming 13 minute original version that s never seen the light of day... its significantly and dare we say on par with the original version! finally included is the rare as hens teeth original female vocal 3:10 7- version that was only ever released as a promo at the time. huge release that s set to cause ever lasting ripples in the disco music community!

featured backstock !! true ma w classics on this double album - part 1 features :
* kenlou - what a sensation
* ruffneck - everybody be somebody
* kenny dope gonzales - brazillica , and many more

porn sword tobacco and svn return to kontra-musik for another untouchable release far off the beaten techno track. trying anxiously to get with whatever is fashionable right now has never been kontra-musiks way of doing things, and the same goes for porn sword tobacco and svn. thats why were such a good match

der junge produzent andrea aus paris veröffentlicht anfang juli seine neue ep -black magic- bei jakarta records, nachdem ihn sein kumpel stwo dem label vorgestellt hat. mit dem gedanken im kopf das eis und die grenzen zu brechen, schaffte andrea seine ideen und einflüsse so umzusetzen, dass wundervolle und intime tracks daraus entstanden. *black magic* wurde hörbar mit liebe zum detail kreiert und entführt den hörer in eine eigene, einzigartige welt.

claudio coccoluto is going back to print with the dub records and this is release no.2! after spending over a decade in hibernation the claudio coccoluto’s record label the dub comes back to life with a new disco tinged offering from the label boss himself and sets the tone for a full schedule ahead. claudio coccoluto is one of italy’s most famous musical sons, a dj, producer, radio and tv show host and music writer. he plays all over the world at clubs and festivals as well as for brands like mtv and peroni. using everything from the vintage sounds of chicago and detroit to the ultra-modern music coming out of europe and everything else he hears around the world, claudio coccoluto is never afraid of experimenting with pioneering sounds and allowing others to be influenced by his never ending search for the next record.

the original version is nothing short of a classic, but its as if the song had never been invited to a louie vega post-midnight global extravaganza. was the song not aware that spellbound dancing and high bpms were the standard for house music? normally, such a blaring disregard for nightlife decorum would relegate a song to the pits of sonic hell, but we’re talking about george clinton here! the original opens up with a g-funk groove that screams westside and lowriders. the listener is then blessed with clinton as he adds his sage, soulful and pimpadelic vocals, complemented by funkadelic singers asking him about the pains of the funk. the semblance of a beat that could drive the dancefloor into the morning hours is there, but in no way has it blossomed into its full glory. enter louie vega.

sources is a brand new series which will examine the output of a number of extremely influential independent u.s. labels throughout the 1970s, 1980s and 1990s.

parasol dance embodies the musical headway and fruition fabio experienced exploring different soundscapes and rhythms in his london based studio this last year. the crisp analogue cuts in the album are peppered with monesis organic evolution from the new jersey sound drawing inspiration from jazz, funk and even acid/jackin house, all the while never faltering on the end product of raw undulating grooves.

a new installment of jorun bombay remixes.

polish resident lutto lento follows up his debut 12inch for charles drakefords ftd label with this 6 track ep whips for where to now? records. luttos sound places him as quite a unique figure in modern electronic music, showing a fearless work ethic in shrouding his productions in saturated tape loops, and achieving what is certainly a low-fi quality to his sound, lutto manages to never let this lo-fi edge take centre stage, instead this expertly crafted process of tape cutting and looping provides the backdrop to luttos exuberantly crafted yet absolutely dance floor orientated drum work.

before you can remember anything you are about to say to me i will tell you its time for a second round! why even bother searching for questions if ancient future already has the answers to them? delivered again in the form of four tracks by four different artists, this is number two! played & support by peter kruder, booka shade, larse, ed ed, kiki, andre crom, rainer trueby, vanilla ace and many more

black 12 inch + mix cd by anal virginity (dude club resident // milan)

this release captures kicks, rhythms, and snares—only to drag them kicking and screaming into a metallic underworld. in j. tijn’s echo-sphere, there are only allusions to the status quo of sound and beats, and never a full-fledged embrace of the conventional. on side a’s “kanon v.i.p.” a grizzly digital war is left to play out between both kick and snare, with grainy battle lines drawn around upbeat and downbeat. survivors of the conflict are rewarded with a groove reminiscent of grime, if only the genre had been reborn in a dystopian future. side b opens with a roughneck beat on “mor” before turning its hand into a fist and effectively destroying its own image. the groove lives through this barrage of sound, but as a heavy and dark undercurrent just strong enough to remind you where j.tijn’s roots are. “shy” lures you in with a rounded electro kick, before glutting the rhythm and ushering in a wall of sound. a snowstorm of screaming drum samples proceed to surround you: you may have been here before, but you are somewhere rhythmically unseen. embedded in all of these tracks are perhaps a sign of the times: the things that used to be seen as normal have now changed and mutated.

after the series of caribbean related releases, emotional rescue returns to the early 80s downtown nyc post punk / new wave scene with plus instruments collecting their best and rarest songs on one groove laden ep. 4 tracks of pure downtown punk-dub-funk, all with the nonchalant euro-style delivery of truus de groot. it doesnt get better than this. coming with extended unreleased versions, the originals were collected from sought after eps, an obscure compilation lp and fiishes with a never before released song, this is history. licensed and remastered for aural pleasure

the second solo album from the killers front man brendon flowers as 12 inch vinyl in gatefold sleeve.

fumiya tanaka s double-tracker >beautiful town< was fully inspired by its cover artwork: a set of carefully selected old pictures with a layer of masterful signature paintings by romanian artist and fine-arts student bonjour bonsoir. a-sides >abacus avenue< is the ep’s most dense and eerie side. an addictive piece that utterly succeeds in sucking you right in like a vortex would. the locomotive bassline serves its purpose of movement in a strong loopy groove, while the pads and poltergeist y sounds reformat our heads with an inability for space-time tracking. the otherside of this town, >himegami marathon<, is another mysteriously intricate work. its a microcosm of grooves, sinister details and voices locked in a tight groove built on a single bass stab and a flowing, never-ending set of wet claps. a piano kicks in at key points, alongside percussive elements, reminding us that this town is alive.

jesse siminski otherwise known by his dj name heartthrob and as label boss of imprint isnisnt, returns with a fierce 4 track ep of jacking modern acid funk. heartthrob has been producing for over a decade and his innate ability to create cutting edge and propulsive techno grooves has kept him busy with a touring schedule that takes him across the globe, as well as a new party series named after the label. pressing on pink coloured & marbled vinyl.

4-fach vinyl limitiert auf 500 stück, inklusive downloadcode und monstertruck-aufkleber.

myk derill is one of the most interesting dub-techno artists. here he offers four great tracks of high quality and class. never hard but never soft. myk derill takes a turn for a more broken rhythm industrial looped with vocal.

vinyl will never die. that is the motto which embi music is looking for. therefore promptly after the first success in the beginning of the year, the next limited press release is coming. this time straight from chile, with well-known artists larry peters and umho.remixes by miguel lobo and label boss daniele casa round off the package.

frits wentink launches his new label bobby donny with ‘live fast, dwayne young’. bobby donny has been set up to primarily feature frits wentink’s own tracks, but focusing on the wonkier, more lo-fi house edge of his sound. the emphasis will be on tracks that are hardware jams on rhodes, juno 60 or mpc, then structured later. frits wentink has already garnered a huge fanbase for his quirky, innovative and characterful house music on a number of forward thinking labels like wolfskuil, 2020vision, heist and wolf with his recent debut album, ‘rarely pure, never simple’ on the latter, gaining much critical acclaim.

sinatras ultimate hits - together for the very first time on 2 deluxe 180 gram heavyweight lps, housed in a gatefold sleeve.

after releasing her debut album on jus edas underground quality label, dana ruh returns here to her own label, brouqade, with this stunning 3 track ep >yardang<. this release is all about deep vibes and atmospheric sounds, even though the focus never leaves the dance floor!

• billy nasty’s electrix recordings returns with a new ep by fleck e.s.c.
• very limited vinyl pressing features solid remixes from carl finlow and pip williams
franck collin, aka fleck e.s.c, is an electro artist originally from france but currently living in tokyo. franck’s earlier experience playing bass and drums in bands and his love of horror, science fiction and b-movies, naturally drove him to the electro scene. with additional influences rooted in new wave, contemporary, techno and ambient, fleck e.s.c tries to avoid the clichés of electro, leaning more toward the spooky side of horror and sci-fi and the cheap retro sounds in tribute of the movies he loves. never too serious or pretentious and always striving for fresh sounds, fleck e.s.c’s music aims to distract the body and the brain.
his ‘nice guy ep’ comprises two killer new tracks that emphasize this sound, the dappled ‘what r we waiting 4’ and the ominous tones of ‘nice guy’. remixes of the latter come from london modular’s pip williams with a sweeping rendition, alongside the mighty carl finlow who also adds his magic touch...

heavyweight 180 gram vinyl in gatefold sleeve, download code included.

a recontextualized hybridization of that which is familiar to create the foreign. using classic chicago, detroit and new york as a reference, i sought to explore new sonic possibilities while limiting myself to the classic machines and sounds of the era that inspired me to dedicate my life to this art-form.

glesga toons very own cream mac-wearing whirling dervish returns to the dabj fold for his sophomore side. after the massively in demand *sulta selects vol. 1*, oor denis is back with his inimitable brand of hig-end rollers.

limited deluxe edition of 250 handnumbered copies, including download code and surprise.
disco club is a groundbreaking 1978 ep of experimental electronic disco created by fvre and his collaborator under their tongue-in-cheek aliases joachim sherylee and junior claristidge. the aphex twin-backed rephlex label notably reworked a handful of disco club tracks in 2004, however this is the first ever reissue of the ep in its complete, originally intended sequence. so synonymous is fvres career with this release, he continues to perform internationally as black devil disco club today. an impossibly rare piece, this edition has been treated to a remaster from the original tapes by fvre himself.

melody as truth returns with talk from home an album from los angeles native suzanne kraft. talk from home showcases krafts emotional depth as a producer, and skill as a multi-instrumentalist. recorded over a few weeks in the winter of 2014, the intimacy of the recordings shines through in a melancholic yet hopeful world of melody and tone.

the rawest, diy gospel ever resurrected. the west side of chicago was just an annex of the deep rural south for gene autry cash and his flock of recent old dominion transplants looking to cut their fiery, unadorned sounds indelibly to plastic. his jade label absorbed those god-fearing artists: family bands with wailing kids and barely amateur groups sourced from local parishes, infused with reverberations of country and western and deep soul. glinting authenticity shines from every track like a diamond in the unpolished rough—each group completely convinced that salvation comes through song.

more late 70s westcoast yachtpop you can almost dance to. delivered on heavyweight 180 gram double vinyl in gatefold sleeve

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

this lp incl double pack 12inch vinyl with full colour outer & inner sleeves. from now without cd. paradise is robert hoods debut album release as floorplan. floorplan could well be seen as robert hoods vision as seen through a house music prism.

italian born producer distant memories with a four track ep via london based label, wunderkammer recordings. the ep starts with degrado (a1) that belongs to a segment of works named originally “untono” because of the minimum employment of sound elements in the composition. few and simple sonorities to describe the disapproval on the current conditions of things. compulsive (a2) is a track with a more deep feeling that proceeds untill the end around a sharp kick and spectral and obscure sounds. it is crystal clear that this tune represents a compulsive behavior. while mentale (b1) has a good speed with a deep ambience. is a mental but natural progression of sounds that evolves maintaining an incessant and hypnotic journey with a classic refrain that characterized late ’90 trance records. a never-ending cycle minimalism aesthetics of the whole ep.

its dub, but reverberating far beyond the genres borders. its what jpattersson describes as progadub.

we re proud to announce our second 12- single in 2015 which features never-before-heard (on any medium) rare live performances from cv313. the first track is a rare reversion of the classic -dimensional- piece released back in 2007 (echospace 002), recorded live in tokyo at club air. for the b side we ve done our best to restore one of our favourite live moments captured at arma17 in moscow, russia, a deeply moving affair somewhere between the clouds above and the water below, spaced out sonic submersion...